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PaintBox Tip # 77 working in series

21/2/2025

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One of my students who attended art school many years ago was taught that working in a series is a "cheat" for artists. I disagree. A series, or a body of work, is important to artists - we create a body of research and reference, it does NOT make sense to use this for only one piece of work. Think of all the time and effort gathering all this information - could I add the hourly rate for all this time to the price of one painting? questionable.

a scientist specialises in a particular field of research, a lawyers and doctors practice in their specialist field. They are continually referring back to their previous research and work and developing it - making it more and more relevant. 

And this is exactly the same process for artists. It is a pragmatic decision to work in series, your brain starts working in a certain way, and, even though you may have painted several, you’ll start to discover new ways to develop your subject, new ideas, different light, different angles, palette/season, mood etc.
 
For example, I started my Glamping series some years ago, most years I revisit and create 5-6 new paintings that can be quite different from previous years. They obviously have the same source but each year they’re a little more developed, style wise and concept. Sometimes it’s a safe haven or confidence booster when you’ve had some success to work on a familiar series.
 
I admire artists who paint only one subject – my friend Mo paints amazing clouds and cloudy skies, Shirley paints beach scenes and another (his name escapes me) paints WWII aircraft. To have a passion for a subject as deep as this is truly incredible. I, however, need more variety, I work on 2-3 series, adding a new subject/concept from time to time, some of which become series and some not.
 
Some subjects may not work for you immediately they may need more development and/or skill, don't give up, good things take time.
 
Whether you succeed or not at every new subject is irrelevant. What is more important is the effort to try and improve; the study of each subject helps you to get better in preparation for the next.
 
 what's your thoughts?
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PaintBox Tip #113 my favourite stuff

31/1/2025

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Art materials are unique to every artist. We all have personal reasons why we prefer one brand/item over another. I would say the single biggest determining factor for most artists in choosing their equipment is their style of painting and what they want to achieve. Some of the questions I get asked the most is, "what brand of paint do you like best?" and "what is your favourite brand of watercolour brushes?"

My own first watercolour brushes were quite nasty, I knew it back then because my dad taught me to paint with sables. The shape was wrong and difficult, it didn’t hold much water and the bristles were stiff and flicky – sometimes I felt there was more paint on me than the painting (I hear you all laughing – stop that!! Xx). My excuse is that was accidental flicking (control yourselves!!). A problem I encountered was being encouraged to paint “Big” but all I had, all I could get, were small brushes – mama mia!! However, I was lucky to be a member of a great local art group through which I met fantastic artists and found my way to their workshops. Interestingly, they all used flat brushes – yay for me!!
  
Brushes: 

Selecting a watercolour brush can be a bit overwhelming especially when you visit an art supply store and see all the goodies!!  

I like to use a combination of both synthetic and natural hair brushes. I love the Daler Rowney Sapphires  and Silver Black Velvet and Princeton Neptune. I also have a variety of natural hair brushes from several different manufacturers like Da Vinci, Escoda and Rosemary.

My first flat brush was a 2 inch squirrel wash brush which cost $300. Since then I have also purchased the 1.5 inch and a 1 inch which I love so much!! They’re synthetic/squirrel blend, very soft and perfect for watercolour because they hold a lot of water and paint for washing and blocking-in and more paint when needed. Their softness also means an easier, more reliable glaze, they won’t lift colour while you’re trying to put it down. I use my 1 inch for about 95% small plein air work.

I also have synthetic flat brushes to hand, 1”, ¾”, ½” and ¼”. They are all different brands Daler Rowney system 3, W&N and da Vinci.

I use a da Vinci #6 squirrel mop, with a lovely fat belly and point, I can paint a complete small painting because of its versatility – fat brush strokes with the belly and detail marks with the point. It’s great for studio painting and en plein air. It has lovely long bristles and the ferrule is positioned to avoid scratch the paper. I also have a #4 but I use it less often.

My detail brushes are from Daler-Rowney, Sapphire S85. I always have #14 or #12, #10, #8, #6, #4 to hand. I love these brushes because they don’t have a point – they’re rounded. They are a sable/synthetic blend and hold lots of water and paint and make interesting shapes.
 
My own style of painting is traditional techniques x10!! I use very loose brushwork in the beginning of a painting then I add calligraphic detail marks toward the end of each painting. I prefer geometric shapes I can create with a flat brush over round brush shapes.
 
Paint: 

I always choose tube colours over pan colours. I've been using a combination of Winsor & Newton professional grade paint for close to 30 years, I started with Cotmans but quickly grew out of it as I discovered it’s limitations. I also love Schmincke but I don’t like their lids as they often stick and require time and additional muscle. Another brand I use is Holbein, although they have a bad rap for using many pigments in each colour, I have never found that to be a problem. I have tried many other brands but generally I have found them lacking compared to W&N or Schmincke. If I have one 5ml tube of W&N, I need 3 tubes of any other brand.

Paper:
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I prefer to paint on Arches cold press medium 300gsm 100% cotton rag. Arches is a company that has been around for a very long time and the quality is always consistent. 
For students and my studio “playing” I recommend Fabriano Artistico Cold press 300gsm 100% cotton rag, it is exhibition grade and takes a lot of punishment but is more affordable.
 

The materials you choose will have a lot to do with the style of your painting and your goals. I suggest doing some exploring on your own to see what YOU like best. In my experience it’s best to get recommendations from other watercolour painters who paint in a style you like. You may start out with one brand, but as your style develops you may find that a completely different type of brush, paper, or paint, is something that you like more.

Paint and paint often. Experiment and play with different types and brands of supplies. Eventually you will land on something that works best for you.
 

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PaintBox Tip #46 Handy tips & tricks

22/1/2025

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Handy tips and tricks for beginners 

Always ...
  1. Have plenty of drawing paper handy for practicing.

  2. Take notes in class.

  3. Squeeze out new good quality, tube paint every week so that you don’t have to scrub at dry paint (aka bird-poo) and damage your brushes.

  4. A white porcelain dinner plate is the best palette ever, use cling film to cover when you have finished for the day.

  5. OR use a palette with a lid to avoid dust and stray animal hairs in your pigment (my Bertie used to love sitting in blue!!).

  6. Prepare your brushes with a quick swill in water so they’re ready to load with paint.

  7. Use a kitchen sponge or old tea towel to moderate the water content in your brush.

  8. Keep a hand towel close-by to control stray drips of water from your hands and brushes.

  9. Paint standing up for as long as possible.

  10. Sit for more control when adding calligraphy and detailed strokes.

  11. For tubes proving difficult to open, run the cap under hot water and then use pliers to gently open.

  12. It’s called WATERcolour for a reason.

  13. Keep spare sheets of good quality watercolour paper handy to practice washes, colour charging, shapes and investigate new pigments before you venture onto your painting.

  14. Make colour charts with your pigments – colour wheels, value scales, practice mixing greys and greens, opaque, staining and transparent pigments and brands.

  15. Wash out and dry your brushes gently, lay them flat on a towel to dry on your table. 

remember to have fun!!

:)



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    PaintBox Tips, secrets, random thoughts,
    scribblings & doodlings on art, my life as an artist who teaches, writes, travels, muses and paints!

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    Poetry in watercolour is made in the freedom of the here and now. Amanda Brett
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    There are no mistakes in watercolour, just some extra surprises!!
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    What my readers and viewers have to say
    Your emails are so informative! I must confess I've watched a couple of your demos from beginning to end, and it makes me want to watercolor!!! I've only ever painted with oil or acrylics and haven't know how to begin with WC. Your content is excellent! 
    Susan VN
    Hi Amanda
    Thank you for your tips. They inspired me to practise and I realised I haven’t been loading the brush properly. I learnt about adding more paint, and not water, to washes. In today’s tips I like the idea of painting with purpose. Your tips are very helpful. I very much appreciate receiving them. Elizabeth
    Hi Amanda I enjoyed your post and generous tips. Looked up Dan Burt I begin to see that you can colour any subject to give it pizazz so long as the tone and form is correct Certainly adding value now to my attempts Thanks heaps Annie
    Yes very wise words. Agree with not fussing and agree with comments about good quality paint. Well written and inspirational as always. Cheers Janet xxxx

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    Copyright © 2022 All images and text on Amanda's blog and website are the the legal property of Amanda Brett and may not be reproduced without express permission from Amanda Brett or her authorised agent. Thank you for respecting her art and the livelihood of all artists.

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Copyright © 2022 All images and text on Amanda's blog and website are the legal property of Amanda Brett and may not be reproduced without express permission from Amanda Brett or her authorised agent. Thank you for respecting her art and the livelihood of all artists.
Quality Guarantee: All my watercolours are painted with only modern professional grade watercolour paints on Museum exhibition grade watercolour papers, they are extremely lightfast and will become a family heirloom and passed down to subsequent generations. ALL art of ANY medium should be hung away from direct sunlight. If​properly cared for, watercolour paintings will last as long, if not longer, than oil paintings. I only paint on 100% cotton rag paper, mostly Arches and Fabriano, and frame to conservation standard with acid free materials.
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