I had painted the same subject en plein air the previous day and was dissatisfied with the result, I was, however, inspired to create the scene with a new composition and a different mix of greys.
As I am a heavy handed painter and struggle with light values and greys, more practice required!!
I started with a loose thumbnail value sketch, then applied a loose simplified sketch to my watercolour paper.
Painting in an en plein air style ie, top down, I started with varying mixes of greys (phthalocyanine blue, alizarin crimson and burnt sienna); warmer hues gradating into cooler and sometimes painting with clean water, all this around planned whites.
Once the shine had left the paper I splashed in some some light value spatter and continued to paint stronger washes of colour - that is, less water more paint with each successive shape created. Parts of the “office” and fishing boat were painted with colour straight from the tube. I painted in some dark people and also scrubbed out some lighter value shapes.
The paper was still quite damp which allowed me the freedom of soft edges and more spatter. I also started to add accents of raw sienna, cerulean blue and splashes of white gouache.
I get totally absorbed in negative painting - the worse you do it the better, some soft edges, plus some bleeding - squirting water and when close to dry, some final hard edges. I added some calligraphy marks to seal the deal.
For international and local workshops and classes www.amandabrett.net
ciao cari amici xx