AMANDA BRETT WATERCOLOUR ARTIST
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PaintBox Tips​

PaintBox Tip #102 Don’t give up on a sketch that’s gone wrong!

4/6/2022

4 Comments

 
Sketching is how I get my buzz to paint a scene, especially if I’m not enthralled with a scene or feeling a bit out of sorts (jetlagged, just plain tired or moody - mamma mia!)

We all do it … sometimes our sketches are not right, sometimes we have to do the wrong version to get to the right version. The wrong version helps us to see.

This is especially true if you’re working on a new subject. A new subject may require some intense study and you may have to sketch it several times to really start to understand it. A sunny day is a brilliant opportunity because you’ll see more detail, more shadows that highlight the lights and help you understand the shapes. In architecture (and every subject) it’s a good idea to focus on a small area (see John Ruskin’s sketches of Lucca, little studies of the shapes of the rooflines, monuments, decorations) and gradually increase the subject area. This can lead an artist to an intense passion for a subject lasting many years, the challenge can be totally absorbing. Everytime we sketch (paint, write music/lyrics, sculpt, poeticise, pontificate etc) we see new elements and make surprising discoveries.

Measuring the relationships is how we learn – how high is this compared to that? How wide? Is it a square or a rectangle? How acute is the angle? how dark does it have to be to make another shape understandable? How light? and all the steps between

Try not to give up on a sketch, start with light marks and 5 big shapes. Once everything’s in position add values, light to start with then build up to a very dark dark.

This one is still not a very good sketch but I’ve learned how the shapes work together (or not!) and their relationship to each other. Maybe I’ll come back and have another go, maybe I’ll just get stuck in and paint it now!


non ferma cari amici!!
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PS I often say to students an eraser is an unnecessary tool but i really needed it with this sketch!!
I love light poetic pencil marks - especially wrong ones - they add character and pad out a little - in other words don't be neat and tidy, leave what you have deemed as wrong and let them show.

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4 Comments

PaintBox Tip #​100 It takes TALENT to make art

4/5/2022

6 Comments

 
Amanda Brett Watercolour Artist Turquoise BeadsTurquoise Beads
​#100 (wahoo!) 
 
Learning a new set of skills can be daunting, scary and hard. A big problem for adults coming back to art after many years is high expectations – too high expectations. If you haven’t done any drawing since you were 7, you are likely to be picking up where you left off.

Unless you’ve been able to continue your drawing, development is unlikely – you know what it’s like if you haven’t played piano for years (I can’t play my flute anymore, it’s very old and needs maintenance [as do I!] but obviously I haven’t practiced for a long time and my embouchure not up to scratch). Maybe you haven’t played golf for a few years only to return and find your swing is off.

Your drawing, painting and creative muscles needs constant attention – regular and frequent SMALL STEPS and exercise. Remember the steps it took for you to learn how to write your name – the dotted letter diagrams we followed? Learning to draw and paint is a similar process, incremental baby steps are required.

Many people tell me they can’t draw, I am a firm believer that we are all born creative, however, some of us get the chance (or make the chance) to pursue creative endeavours or maybe your creativity is pursued in a different way. I’m referring to my super creative engineering husband, among many, one of his skills is creating solutions for his clients.

More than talent, desire and perseverance are keys to learning and developing a skill in drawing. Few people do not have the ability to learn to draw, if you can sew or knit, play golf, write a letter, you can learn to draw.

More important skills are patience and observation along with key tools - time and focus.

Time to relax and enjoy the process of creating without the pressure of having to make something. As soon as the artist decides to create a masterpiece – today is the day – it’s all over. Too much pressure makes us focus on all the wrong emotions and decisions, performance anxiety (I’ve only got today to do this), we’re too focussed on the result instead of enjoying the moment and focussing on what the paint is doing on the paper.

Whether you want to be a professional artist or you just enjoy the process of creating, it’s important to exercise your creative muscle regularly and frequently – just like a body builder or marathon runner the more you practice the more you can flex your muscles.

Poetry in watercolour is made in the freedom of the here and now.
 
 ciao bei pittori!!

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6 Comments

PaintBox Tip #67, 7 things I'm thinking while I'm painting

25/3/2022

6 Comments

 
edited from original post 011214 WP
 
The superbly cool thing about watercolour is, once you've done all your research and preparatory drawings, design etc and you're hitting paper with water ... it's all on ... right now!!

The difficult thing about watercolour is that once you're hitting the paper with water, it's all on ... very scary ... right now!!
​
ooohhh ... what to do?

here are 7 things i'm thinking while i'm painting ...
  1. this part is wet but it's raw sienna and it looks stunningly luminescent and glowingly beautiful with burnt sienna dropped next to it ... let them mingle. i'm using harmonious colours.
  2. this part should be a dark shadow so i'll drop some dark cool violet or a neutral violet mixed from my palette. i'm thinking about my value range.
  3. i've got too many hard edges, while it's still damp i'll spray some water to get some of them to run and blend. I'm thinking about Edge variety.
  4. In my focal area, i'm about to place my brush next to a vibrant green so i'll need some neutral lightish red next to it ... maybe alizarin with some of the vibrant green mixed into it or burnt sienna with a tiny amount of cobalt blue in it - depends on what palette i'm using. Here I'm thinking about complementary colours.
  5. i've painted enough brush strokes with my 1 inch flat brush time to change to my number 16 round. I'm thinking about shape variety.
  6. this part should be in the background but is has a light yellow pulling it forward, i'll neutralise it and make it recede into the background with a glaze of a dark coolish purple - perspective.
  7. i've got a really super shape here, i'll repeat it 2 more times, different sizes, different directions and not exactly the same shape - repetition.
and there's much more as you can imagine.

Watercolour painting demands your complete attention, keep focussed while you are painting and stay in the zone. 
have fun!!
​
cheers
Amanda

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    Poetry in watercolour is made in the freedom of the here and now. Amanda Brett

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    There are no mistakes in watercolour, just some extra surprises!!
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    What my readers and viewers have to say
    Your emails are so informative! I must confess I've watched a couple of your demos from beginning to end, and it makes me want to watercolor!!! I've only ever painted with oil or acrylics and haven't know how to begin with WC. Your content is excellent! 
    Susan VN
    Hi Amanda
    Thank you for your tips. They inspired me to practise and I realised I haven’t been loading the brush properly. I learnt about adding more paint, and not water, to washes. In today’s tips I like the idea of painting with purpose. Your tips are very helpful. I very much appreciate receiving them. Elizabeth
    Hi Amanda I enjoyed your post and generous tips. Looked up Dan Burt I begin to see that you can colour any subject to give it pizazz so long as the tone and form is correct Certainly adding value now to my attempts Thanks heaps Annie
    Yes very wise words. Agree with not fussing and agree with comments about good quality paint. Well written and inspirational as always. Cheers Janet xxxx

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    Copyright © 2022 All images and text on Amanda's blog and website are the the legal property of Amanda Brett and may not be reproduced without express permission from Amanda Brett or her authorised agent. Thank you for respecting her art and the livelihood of all artists.

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Copyright © 2022 All images and text on Amanda's blog and website are the legal property of Amanda Brett and may not be reproduced without express permission from Amanda Brett or her authorised agent. Thank you for respecting her art and the livelihood of all artists.
Quality Guarantee: All my watercolours are painted with only modern professional grade watercolour paints on Museum exhibition grade watercolour papers, they are extremely lightfast and will become a family heirloom and passed down to subsequent generations. ALL art of ANY medium should be hung away from direct sunlight. If​properly cared for, watercolour paintings will last as long, if not longer, than oil paintings. I only paint on 100% cotton rag paper, mostly Arches and Fabriano, and frame to conservation standard with acid free materials.
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  • Painting Holiday Italy 2024
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