AMANDA BRETT WATERCOLOUR ARTIST
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PaintBox Tips​

PaintBox Tip #102 Don’t give up on a sketch that’s gone wrong!

4/6/2022

2 Comments

 
Sketching is how I get my buzz to paint a scene, especially if I’m not enthralled with a scene or feeling a bit out of sorts (jetlagged, just plain tired or moody - mamma mia!)

We all do it … sometimes our sketches are not right, sometimes we have to do the wrong version to get to the right version. The wrong version helps us to see.

This is especially true if you’re working on a new subject. A new subject may require some intense study and you may have to sketch it several times to really start to understand it. A sunny day is a brilliant opportunity because you’ll see more detail, more shadows that highlight the lights and help you understand the shapes. In architecture (and every subject) it’s a good idea to focus on a small area (see John Ruskin’s sketches of Lucca, little studies of the shapes of the rooflines, monuments, decorations) and gradually increase the subject area. This can lead an artist to an intense passion for a subject lasting many years, the challenge can be totally absorbing. Everytime we sketch (paint, write music/lyrics, sculpt, poeticise, pontificate etc) we see new elements and make surprising discoveries.

Measuring the relationships is how we learn – how high is this compared to that? How wide? Is it a square or a rectangle? How acute is the angle? how dark does it have to be to make another shape understandable? How light? and all the steps between

Try not to give up on a sketch, start with light marks and 5 big shapes. Once everything’s in position add values, light to start with then build up to a very dark dark.

This one is still not a very good sketch but I’ve learned how the shapes work together (or not!) and their relationship to each other. Maybe I’ll come back and have another go, maybe I’ll just get stuck in and paint it now!


non ferma cari amici!!
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PS I often say to students an eraser is an unnecessary tool but i really needed it with this sketch!!
I love light poetic pencil marks - especially wrong ones - they add character and pad out a little - in other words don't be neat and tidy, leave what you have deemed as wrong and let them show.


2 Comments

PaintBox Tip #​100 It takes TALENT to make art

4/5/2022

6 Comments

 
Amanda Brett Watercolour Artist Turquoise BeadsTurquoise Beads
​#100 (wahoo!) 
 
Learning a new set of skills can be daunting, scary and hard. A big problem for adults coming back to art after many years is high expectations – too high expectations. If you haven’t done any drawing since you were 7, you are likely to be picking up where you left off.

Unless you’ve been able to continue your drawing, development is unlikely – you know what it’s like if you haven’t played piano for years (I can’t play my flute anymore, it’s very old and needs maintenance [as do I!] but obviously I haven’t practiced for a long time and my embouchure not up to scratch). Maybe you haven’t played golf for a few years only to return and find your swing is off.

Your drawing, painting and creative muscles needs constant attention – regular and frequent SMALL STEPS and exercise. Remember the steps it took for you to learn how to write your name – the dotted letter diagrams we followed? Learning to draw and paint is a similar process, incremental baby steps are required.

Many people tell me they can’t draw, I am a firm believer that we are all born creative, however, some of us get the chance (or make the chance) to pursue creative endeavours or maybe your creativity is pursued in a different way. I’m referring to my super creative engineering husband, among many, one of his skills is creating solutions for his clients.

More than talent, desire and perseverance are keys to learning and developing a skill in drawing. Few people do not have the ability to learn to draw, if you can sew or knit, play golf, write a letter, you can learn to draw.

More important skills are patience and observation along with key tools - time and focus.

Time to relax and enjoy the process of creating without the pressure of having to make something. As soon as the artist decides to create a masterpiece – today is the day – it’s all over. Too much pressure makes us focus on all the wrong emotions and decisions, performance anxiety (I’ve only got today to do this), we’re too focussed on the result instead of enjoying the moment and focussing on what the paint is doing on the paper.

Whether you want to be a professional artist or you just enjoy the process of creating, it’s important to exercise your creative muscle regularly and frequently – just like a body builder or marathon runner the more you practice the more you can flex your muscles.

Poetry in watercolour is made in the freedom of the here and now.
 
 ciao bei pittori!!

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6 Comments

PaintBox Tip #96 colour charging

13/4/2022

1 Comment

 
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Watercolour is often viewed as if it occupies its own little vacuum.

I remember a well-known artist friend collecting his paintings after a show:

“I’m here to collect my paintings”

“What do you mean?”

“I’m here to collect my paintings”

“Oh you mean your watercolours”

As if watercolours are not paintings and are separate, not even a category – not art, nor paintings – urk!

However, oddly enough, painted with a brush (in most cases!).

It’s a common weird nonsensical bit of claptrap. Mamma mia!!

Sometimes it feels like watercolour painters are set up for this. A popular art show I used to enter had a “professional” category for Oils/Acrylics. Does this make me not a professional? For a while I entered the professional category just to state my case and annoy them, really it’s just ignorance (mine or theirs??). I was particularly miffed to discover that my well-known watercolour artist Uncle started that show in 1954 (or thereabouts)!! Instead of being hailed the Queen (lol), my bags packed and cast into the snow!!

My point is, no matter your medium (pastel, music, poetry, blogging, sculpture, watercolour or oils) art is art and all need the same kind of thought and emotive language – darkness brings the light, grey accentuates chromatic colour, dominance emphasises an accent, indications are mysterious.

All art forms follow a set of guidelines (rules to be broken). Visual art is no different, we follow design principles created to help novice (and not-so novice) artists use pictorial or visual language to tell a story via visual impact.

In particular, today, I’m talking about colour charging. My 2 ideas for you today are:
  1. Colour marks, charging in analogous colour. This facilitates variety and interest – why did she do that?
  2. Brush marks, not our usual thing but why not? If the tone and temperature are right, why not add more variety and interest and use our brushes to mark the paper in a unique way.

The watercolour painter has to be patient (I’ll just leave now!) and focussed and wait for the water-to-paint-to-brush-to-paper ratio to be just right. Mostly novice watercolour painters are taught to “let it dry” which is the biggest mistake ever. I say this because this damp time is the fun-zone of watercolour and you are missing out my friend! Boo!!

Partly the issue lies in our process and planning and partly our lack of brush miles and then sometimes our courage flies out the window. But this FUN-ZONE is where the magic happens, what you and I have to do is be present and pay attention to what we’re doing and what’s happening on the paper. This level of focus is where you’ll learn the poetry of watercolour – choose your focal point and play with it.
 
How fun would it be to paint a lemon with a dab of orange, a bigger dab of a cooler yellow and a master stoke of cool pink for a shadow?

​ciao belli pitturi!!

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1 Comment

PaintBox Tip #67, 7 things I'm thinking while I'm painting

25/3/2022

6 Comments

 
edited from original post 011214 WP
 
The superbly cool thing about watercolour is, once you've done all your research and preparatory drawings, design etc and you're hitting paper with water ... it's all on ... right now!!

The difficult thing about watercolour is that once you're hitting the paper with water, it's all on ... very scary ... right now!!
​
ooohhh ... what to do?

here are 7 things i'm thinking while i'm painting ...
  1. this part is wet but it's raw sienna and it looks stunningly luminescent and glowingly beautiful with burnt sienna dropped next to it ... let them mingle. i'm using harmonious colours.
  2. this part should be a dark shadow so i'll drop some dark cool violet or a neutral violet mixed from my palette. i'm thinking about my value range.
  3. i've got too many hard edges, while it's still damp i'll spray some water to get some of them to run and blend. I'm thinking about Edge variety.
  4. In my focal area, i'm about to place my brush next to a vibrant green so i'll need some neutral lightish red next to it ... maybe alizarin with some of the vibrant green mixed into it or burnt sienna with a tiny amount of cobalt blue in it - depends on what palette i'm using. Here I'm thinking about complementary colours.
  5. i've painted enough brush strokes with my 1 inch flat brush time to change to my number 16 round. I'm thinking about shape variety.
  6. this part should be in the background but is has a light yellow pulling it forward, i'll neutralise it and make it recede into the background with a glaze of a dark coolish purple - perspective.
  7. i've got a really super shape here, i'll repeat it 2 more times, different sizes, different directions and not exactly the same shape - repetition.
and there's much more as you can imagine.

Watercolour painting demands your complete attention, keep focussed while you are painting and stay in the zone. 
have fun!!
​
cheers
Amanda
6 Comments

PaintBox Tip #​65 how to get fired up when you're not fired up

12/3/2022

8 Comments

 
Pictureode to country & western!!
edited from my original post 070115

It’s really hard to create a painting about a subject I have no interest in, having said that, I can make myself want to paint a particular subject simply by working through a research process and getting to know and appreciate the subject.

Imagine what it would be like for me to be told Country & Western theme ... ?**$#@!!**^??

Guess what? You can get fired up about any subject too!!

While I was still working in the corporate world but dabbling in watercolour painting, I was thrilled that my tutor would supply the subject matter. It meant one less thing for me to worry about, all I had to do was turn up every week and she'd have an amazing array of cool stuff she had pulled together for us. Barbara was a tremendous creative facilitator.

Another upside to this was that I learned to accept what was in front me, whether I liked it or not, this was no time to be fussing and complaining, I had 3 hours of painting time in front me, better get to it quick!

In writing this post I realise too, part of my inspiration for a subject came from our group discussion about the subject and everyone's ideas. Some of my best painting experiences have been painting in a group.

The more research I do about a particular subject the more passionate and determined I become to paint it. I fall in love with the subject ... it could be something as simple (?) as a brick wall or the way the light falls on a glass and the shapes and colours it creates. The intricacies of a subject become fascinating, although I don’t paint a lot of detail (this must have been written a while back!), I go through a process of studying the detail and deciding what I will leave out, what to include and which details describe my message best for that piece of art.

Typically my research might include a small sketch or two on site as well as a bigger more formed sketch I call a plein air painting. When I’m in my studio, if I’m painting from my imagination, I create lots of doodles and lots of composition thumbnails. I’m  reluctant to paint  scenes from a photo preferring to paint en plein air, not always possible and although I’m wary, I’m very happy with a lot of them.

For me, there is a driving force to create and always has been. Among other creative endeavours, I’ve always drawn and painted. It seems stronger now than ever and I think this may be, in part, because I work as a professional artist creating and painting most days - total immersion is good!

My brain is more switched on to looking for subject matter and planning my next work – everywhere I see a painting waiting to be painted. The more I look for subjects the sooner they appear - the more I paint the more ideas I get.

Happy painting!!
ciao amici!!

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Early Morning, via Vittorio Veneto is a case in point.

3 reasons not to paint this scene
  1. there's a lot of pink - yikes
  2. I couldn't draw it
  3. it had never occurred to me to paint this scene

My painting buddy said let's paint pink!! I was so frightened!! 

I didn't want to paint there - frightening!! but what made it worse? I couldn't draw the jolly thing!! I was so frustrated, I could not get my head around it at all!! So I drew straight onto my watercolour paper.

To compensate for my inaccurate drawing of the scene, I jimmied it around a little to suit. 5 years later I'm still so happy with the result, it's still one of my favourite paintings. I had to work really hard, there were so many barriers, sometimes a challenge is the way to move us out of a funk!

For me easy and comfortable are not always the best.
8 Comments

PaintBox Tip #37 Perfection, something out of place

10/3/2022

0 Comments

 
I know many creatives and many of them never finish a work. The same work is done and re-done and done again because it’s never right. There’s always something out of place, a comma, an invisible brush mark, a chord that seems not right – not perfect = imperfect! We do it again and hope it will be better next time.

And so now, this work gets put aside in the hope (read dread) the next one will be better.

What people don’t realise is, there’s no such thing as mistakes. What happens is, we get a different result from what we expect, we don’t know what to do with it.

This is often the result with watercolour, we have a vision and an eye on our goal – but something happens or we return from a cup of tea to find our painting looks different from just 10 minutes ago.

We’ve become so results driven we’re forgotten to enjoy the process, play to our medium’s strengths and just have fun playing with the paint. Don’t get me wrong, I’m not saying don’t attempt specific subjects, what I’m saying is have fun along the way. Explore your paint and ask yourself “What would happen if …?” or tell yourself “I’m just going to have a play with this and see what happens!” - my favourite way to start new work! It banishes fears and performance anxiety and sets up an easier happy attitude!!

happy painting dear friends!!
​Amanda

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    PaintBox Tips, secrets, random thoughts,
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    There is no ONE WAY to paint a watercolour - Amanda Brett

    Inspiration exists, but it has to find you working - Pablo Picasso
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    There are no mistakes in watercolour, just some extra surprises!!
    Amanda Brett

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Amanda Brett - Watercolour Artist

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Quality Guarantee: All my watercolours are painted with only modern professional grade watercolour paints on Museum exhibition grade watercolour papers, they are extremely lightfast and will become a family heirloom and passed down to subsequent generations. ALL art of ANY medium should be hung away from direct sunlight. If​properly cared for, watercolour paintings will last as long, if not longer, than oil paintings. I only paint on 100% cotton rag paper, mostly Arches and Fabriano, and frame to conservation standard with acid free materials.
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  • Home
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      • Feedback & Photos
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    • FAQs >
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  • Join My Insider's List
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