I'm still in my self-imposed "lockdown" with my continuing knee problem, It's a lot better but not better enough .. thwarted by my feeble attempts to "keep calm and carry on".
Something that’s really bugging me is my studio clear-out/tidy up/re-shuffle/reorganise started before Christmas. It was a good idea at the time but now I have 2 piles on the floor that are attempting to morph into 3 and I can’t get down there to do much about it. It’s making me crazy! PLUS while I’m nursing my poor wee ginocchio Dennis has now gone back to work, Amy’s back to work and there’s no-one here to entertain me!! YIKES!!
So now I find myself in this temporary situation of cabin fever - I'm desperate to get out and paint/sketch, so I've made myself a new plan for my coming escapades. in a feeble attempt to get back to normal, i went for a walk with Amy and the dog. I trailed far behind them, it was so nice to be out and hearing the birds and children playing, families and their picnics but, I have to say, I paid for it the next day ... mamma mia!!
It reminded me how dependent I am on my walking, it's my chief thinking time, my meditation and quiet time that allows my thoughts and ideas to run and play out. Another purpose for me is exploration, this is when I see things that inspire me, a fleeting light, shapes interlocking and overlapping, colours or some other interesting and diverting sights.
To get out of the house, I've been for a few outings in the car (bicycle is a no-go atm) to scope out some sketching locations but of course, even here in Auckland it's almost impossible to park close enough. So I've decided to go to cafes again, they have to be in the right place, scenic and comfy.
There are so many ways to enjoy sketching out, for me, its a totally absorbing experience. Although I love my little value thumbnail sketches, I learn a lot about a scene using this process, I feel the need to change things up a little, expand my sketching and bring more of it into my life. So!! I bought a new sketchbook and made a sketch kit that's always with me.
My new sketchbook has a soft cover, so a little lighter than a hard cover but I found an old light but rigid clipboard. My backpack is pretty old, so old it doesn't have a smart phone size pocket - urk! It has a great "book" pocket but without an easy small pocket, pretty much everything falls to the bottom. In my bag I also have a wee first-aid kit, a small professional pan-set, tramper's collapsible water cup, pencil case and a few other weird sketch tools to fun things up a bit!
In my pencil case, I have my standard soft pencils, a sharpener and eraser, tombow value brushpens, general’s sketching pencil, small view finder, calligraphy sketch pen, pastel and watercolour pencil, travel brush, small flat brush, water spritzer.
To protect pencil tips and brush points, I always place them in the case in the same direction and then “up” in my bag.
In Sketch class last week, Mary said “I can’t see enough detail, I’m too far away”. I agree, I need to see exactly what goes on, this helps me to build my story. Go for a walk to understand the lay of the land, what makes this place tick? How do those elements look close up? Always have your camera charged and set to hi-resolution and use a view finder to isolate your scene and cut out the overwhelming and extraneous, then you can just focus on what you want today.
New Students are often are fearful of putting the brush to paper. Some people are able to articulate this fear and its foundations, mostly not.
Many students tell me of the harsh and cruel comments they received about their art when they were young. From teachers, parents and friends – some well-meaning, some not, some from overt jealousy.
It’s not easy to stop this “stuff”, other people’s “stuff”. It gets in our head and, let’s face it, sometimes we can’t stop it in it’s tracks even as adults. Children don’t always have the same awareness (sometimes they’re better at it than grown-ups!) that perhaps the comments come from an adult’s sad place. Their bad day still affects us, it still hurts, we don’t understand – that’s ok!
What I want you to know is, you don’t have to be affected by other people’s fears or opinions. Mostly they’re irrelevant. Your own opinion and pleasure is what matters. As you grow, you will develop your art - learn, love and live your art.
The best way to banish fear is to just do it – just paint, no expectations, just enjoy the process and have fun!
ny artists, beginners through to professionals are concerned with developing their style, their voice.
One of my personal key concerns is to develop a unique voice - there's a tremendous amount of copying happening, not only that, when groups of people paint together regularly they all seem to paint in the same way. I don't want to paint like the hoards - I want to paint like me, i treasure the unique and the work that it requires.
Many years ago, through my local art group I was fortunate to meet a highly skilled and creative artist whose style I quickly fell in love with. I attended his private tuition classes for many years and, although I don't paint exactly in this style, it is an obvious influence. My goal was to paint like me but also include an element of simplicity that is the hallmark of California watercolour.
I have had to become very selective about what I see and what I study. I have a level of eidetic memory which can sometimes get in my way - I have to be careful what I look at, I have to keep my end game in my sights at all times. To that end, I don't visit galleries nor do I look at very much art online, I have a few selected books in my artist library. I have no clue who other artists are, I don't care, I'm only interested in creating unique work of my own. Further, the more time I spend away from my easel doing other stuff is too much time away from my easel.
But what if you don't know what you want to achieve? How do you find what you like? How do you find something that makes your heart leap?
Firstly, I recommend you only study "good" art. Go to Galleries, museums, study the masters, get recommendations from your tutor.
Study everything you possibly can, every genre, every style, every artistic movement. At some point, within your practice and your research, you will find something that really speaks to you. Learn to critique, what do you like, not like. Once you find it, put everything else aside and focus all your efforts onto your discovery.
A well known watercolour painter friend suggests that learning to paint is a 25 year apprenticeship, you might feel you are behind the 8-ball . However you might also find that, if you are an older artist, you have clearer ideas about colours and styles, and know the subjects you love already, its really about how to communicate those ideas in a way that pleases you - practice, practice, practice!! repeat, repeat, repeat!!
what's your thinking on this?
what have you discovered about yourself?
PaintBox Tips, secrets, random thoughts,
There is no ONE WAY to paint a watercolour - Amanda Brett
Inspiration exists, but it has to find you working - Pablo Picasso
There are no mistakes in watercolour, just some extra surprises!!