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 Turquoise Beads #100 (wahoo!) Learning a new set of skills can be daunting, scary and hard. A big problem for adults coming back to art after many years is high expectations – too high expectations. If you haven’t done any drawing since you were 7, you are likely to be picking up where you left off. Unless you’ve been able to continue your drawing, development is unlikely – you know what it’s like if you haven’t played piano for years (I can’t play my flute anymore, it’s very old and needs maintenance [as do I!] but obviously I haven’t practiced for a long time and my embouchure not up to scratch). Maybe you haven’t played golf for a few years only to return and find your swing is off. Your drawing, painting and creative muscles needs constant attention – regular and frequent SMALL STEPS and exercise. Remember the steps it took for you to learn how to write your name – the dotted letter diagrams we followed? Learning to draw and paint is a similar process, incremental baby steps are required. Many people tell me they can’t draw, I am a firm believer that we are all born creative, however, some of us get the chance (or make the chance) to pursue creative endeavours or maybe your creativity is pursued in a different way. I’m referring to my super creative engineering husband, among many, one of his skills is creating solutions for his clients. More than talent, desire and perseverance are keys to learning and developing a skill in drawing. Few people do not have the ability to learn to draw, if you can sew or knit, play golf, write a letter, you can learn to draw. More important skills are patience and observation along with key tools - time and focus. Time to relax and enjoy the process of creating without the pressure of having to make something. As soon as the artist decides to create a masterpiece – today is the day – it’s all over. Too much pressure makes us focus on all the wrong emotions and decisions, performance anxiety (I’ve only got today to do this), we’re too focussed on the result instead of enjoying the moment and focussing on what the paint is doing on the paper. Whether you want to be a professional artist or you just enjoy the process of creating, it’s important to exercise your creative muscle regularly and frequently – just like a body builder or marathon runner the more you practice the more you can flex your muscles. Poetry in watercolour is made in the freedom of the here and now. ciao bei pittori!!  edited from original post 011214 WP
The superbly cool thing about watercolour is, once you've done all your research and preparatory drawings, design etc and you're hitting paper with water ... it's all on ... right now!! The difficult thing about watercolour is that once you're hitting the paper with water, it's all on ... very scary ... right now!! ooohhh ... what to do? here are 7 things i'm thinking while i'm painting ...
Watercolour painting demands your complete attention, keep focussed while you are painting and stay in the zone. have fun!! cheers Amanda  One of the reasons I love watercolour painting is the speed at which I can achieve a painting. If and when I'm clever, I can have a painting today! It took me a long time to get to this point - I've been painting watercolour close to 30 years - it's not an overnight process!!
A huge obstacle for watercolour newbies is allowing the watercolour to have it's way. There's a saying "before I paint, I'm in control, once I put that brush down the watercolour takes over". The secret is, until you get a really good feel for water balance in your brushes, paint and paper, you need to let go and stop trying to control the uncontrollable. Watercolour, as it should be painted, will be difficult for you. Embrace "mistakes" and "accidents", runs and bleeds and allow the painting to speak to you and tell you what it wants. Have another read of my webpage "About Me" and note the last sentence - "I love watching paint dry!" Stop fiddling and controlling and start watching what the paint does and note that where the water goes the paint will follow. You'll start to notice the really cool effects and passages - watercolours will paint themselves if we let them and they'll certainly do it much better than we can! When we're painting watercolour it's time to stop and smell the roses! The scary secret is, you might not get the results you wanted or expected and you certainly might not know what to do next - that's the shock of it!! Use your artist's sense of composition, value structure and design to decide next steps - does it need more darks or lights? are the shapes correct? is it balanced and unified, etc etc. Make a cuppa and watch the paint dry!! ciao i miei belli amici!! Amanda  New Students are often are fearful of putting the brush to paper. Some people are able to articulate this fear and its foundations, mostly not. Many students tell me of the harsh and cruel comments they received about their art when they were young. From teachers, parents and friends – some well-meaning, some not, some from overt jealousy. It’s not easy to stop this “stuff”, other people’s “stuff”. It gets in our head and, let’s face it, sometimes we can’t stop it in it’s tracks even as adults. Children don’t always have the same awareness (sometimes they’re better at it than grown-ups!) that perhaps the comments come from an adult’s sad place. Their bad day still affects us, it still hurts, we don’t understand – that’s ok! What I want you to know is, you don’t have to be affected by other people’s fears or opinions. Mostly they’re irrelevant. Your own opinion and pleasure is what matters. As you grow, you will develop your art - learn, love and live your art. The best way to banish fear is to just do it – just paint, no expectations, just enjoy the process and have fun!  Glamping Caviar & Ruffles ny artists, beginners through to professionals are concerned with developing their style, their voice.
One of my personal key concerns is to develop a unique voice - there's a tremendous amount of copying happening, not only that, when groups of people paint together regularly they all seem to paint in the same way. I don't want to paint like the hoards - I want to paint like me, i treasure the unique and the work that it requires. Many years ago, through my local art group I was fortunate to meet a highly skilled and creative artist whose style I quickly fell in love with. I attended his private tuition classes for many years and, although I don't paint exactly in this style, it is an obvious influence. My goal was to paint like me but also include an element of simplicity that is the hallmark of California watercolour. I have had to become very selective about what I see and what I study. I have a level of eidetic memory which can sometimes get in my way - I have to be careful what I look at, I have to keep my end game in my sights at all times. To that end, I don't visit galleries nor do I look at very much art online, I have a few selected books in my artist library. I have no clue who other artists are, I don't care, I'm only interested in creating unique work of my own. Further, the more time I spend away from my easel doing other stuff is too much time away from my easel. But what if you don't know what you want to achieve? How do you find what you like? How do you find something that makes your heart leap? Firstly, I recommend you only study "good" art. Go to Galleries, museums, study the masters, get recommendations from your tutor. Study everything you possibly can, every genre, every style, every artistic movement. At some point, within your practice and your research, you will find something that really speaks to you. Learn to critique, what do you like, not like. Once you find it, put everything else aside and focus all your efforts onto your discovery. A well known watercolour painter friend suggests that learning to paint is a 25 year apprenticeship, you might feel you are behind the 8-ball . However you might also find that, if you are an older artist, you have clearer ideas about colours and styles, and know the subjects you love already, its really about how to communicate those ideas in a way that pleases you - practice, practice, practice!! repeat, repeat, repeat!! what's your thinking on this? what have you discovered about yourself? ciao |
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There is no ONE WAY to paint a watercolour - Amanda Brett Inspiration exists, but it has to find you working - Pablo Picasso 
There are no mistakes in watercolour, just some extra surprises!! Categories
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