Some thoughts on drawing!
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Drawing skills are essential. Your painting will improve out of sight just by spending 10-20 minutes observational drawing every day.

Shapes must be good - note I didn't say "perfect". "Good" can also mean interesting, unique or beautiful.

Design your artwork with design principles in mind.

Accomplished drawers/designers/artists can and do paint without drawing on their paper BUT 99.9% will have mapped out their design idea as a sketch first and will have spent much time studying and researching and planning – they’ve possibly painted a similar subject 500 times before – they know it well but have found a new intriguing “thing”.

Some watercolour tutors disagree with this, it shows in their work.

Drawing can become a 5-minute exercise in order to create a good painting (oil, acrylic, watercolour, sculpture, pastel), it doesn't matter the medium, art is art.

"Wrong" marks are full of character and shouldn't be erased (unless they're really annoying and stuck in your head then have at it!).

It takes skill and practice - draw every day, start simple.

An eraser is not an essential tool but your sharpening device is.

There are many different purposes for drawing, some for me are:

• thumbnail design sketch
• thumbnail value sketch
• observational study
• full formal value drawing/design
• a map onto my watercolour paper

The word "perfect" must be stricken from your vocabulary - it is meaningless because it can't be articulated, is subjective and stops us from doing what we really want to do!

Please comment and ask me questions and let me know how you're getting on!!

Watercolour is often viewed as if it occupies its own little vacuum.

I remember a well-known artist friend collecting his paintings after a show:

“I’m here to collect my paintings”

“What do you mean?”

“I’m here to collect my paintings”

“Oh you mean your watercolours”

As if watercolours are not paintings and are separate, not even a category – not art, nor paintings – urk!

However, oddly enough, painted with a brush (in most cases!).

It’s a common weird nonsensical bit of claptrap. Mamma mia!!

Sometimes it feels like watercolour painters are set up for this. A popular art show I used to enter had a “professional” category for Oils/Acrylics. Does this make me not a professional artist? For a while I entered the professional category just to state my case and annoy them, really it’s just ignorance (mine or theirs??). I was particularly miffed to discover that my well-known watercolour artist Uncle started that show in 1954 (or thereabouts)!! Instead of being hailed the Queen (lol), my bags packed and cast into the snow!!

My point is, no matter your medium (pastel, music, poetry, blogging, sculpture, watercolour or oils) art is art and all need the same kind of thought and emotive language – darkness brings the light, grey accentuates chromatic colour, dominance emphasises an accent, indications are mysterious.

All art forms follow a set of guidelines (rules to be broken). Visual art is no different, we follow design principles created to help novice (and not-so novice) artists use pictorial or visual language to tell a story via visual impact.

In particular, today, I’m talking about colour charging. My 2 ideas for you today are:

1. Colour marks, charging in analogous colour. This facilitates variety and interest – why did she do that?
2. Brush marks, not our usual thing but why not? If the tone and temperature are right, why not add more variety and interest and use our brushes to mark the paper in a unique way.

The watercolour painter has to be patient (I’ll just leave now!) and focussed and wait for the water-to-paint-to-brush-to-paper ratio to be just right. Mostly novice watercolour painters are taught to “let it dry” which is the biggest mistake ever. I say this because this damp time is the fun-zone of watercolour and you are missing out my friend! Boo!!

Partly the issue lies in our process and planning and partly our lack of brush miles and then sometimes our courage flies out the window. But this FUN-ZONE is where the magic happens, what you and I have to do is be present and pay attention to what we’re doing and what’s happening on the paper. This level of focus is where you’ll learn the poetry of watercolour – choose your focal point and play with it.
 
How fun would it be to paint a lemon with a dab of orange, a bigger dab of a cooler yellow and a master stoke of cool pink for a shadow?

​ciao belli pitturi!!