 Bait & Ice Thames NZ Many of my students and fellow painters ask me "how did I get from this to that?" When I’m out painting en plein air (or in my studio), once I have my idea and have taken a “mental snapshot”, I rarely refer back to the scene. I focus more on what my painting needs rather than creating a replica of a scene. The same for studio painting, especially from photographs (and when on location); the scene and your photo are merely your inspiration - your idea must come first. The same for studio painting, especially from photographs (and when on location); the scene and your photo are merely your inspiration - your idea must come first. Faithfully producing a scene, en plein air or from photos suggests the painter has to find the perfect scene. Yes there are plenty of perfect scenes but can you find them when you want them? probably not - jolly annoying. The serious painter has to make do with what is in front of them - we have to make a silk purse from a sow's ear. The point of this blog post is to remind ourselves to be not so precious about painting every little detail, every little nuance - paint your idea, turn away from your subject - stop looking and just paint - enjoy the process of painting the flower or the picket fence - focus on your painting!! if you have a photograph, turn it over, paint your painting and use your artist's license!! My painting Bait & Ice (Thames NZ) has won many awards and is not very much like the scene itself. Comments from collector's all say "this is just how I remember it!" ciao cari pittori!!
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