edited from my original post 070115
It’s really hard to create a painting about a subject I have no interest in, having said that, I can make myself want to paint a particular subject simply by working through a research process and getting to know and appreciate the subject. Imagine what it would be like for me to be told Country & Western theme ... ?**$#@!!**^?? Guess what? You can get fired up about any subject too!! While I was still working in the corporate world but dabbling in watercolour painting, I was thrilled that my tutor would supply the subject matter. It meant one less thing for me to worry about, all I had to do was turn up every week and she'd have an amazing array of cool stuff she had pulled together for us. Barbara was a tremendous creative facilitator. Another upside to this was that I learned to accept what was in front me, whether I liked it or not, this was no time to be fussing and complaining, I had 3 hours of painting time in front me, better get to it quick! In writing this post I realise too, part of my inspiration for a subject came from our group discussion about the subject and everyone's ideas. Some of my best painting experiences have been painting in a group. The more research I do about a particular subject the more passionate and determined I become to paint it. I fall in love with the subject ... it could be something as simple (?) as a brick wall or the way the light falls on a glass and the shapes and colours it creates. The intricacies of a subject become fascinating, although I don’t paint a lot of detail (this must have been written a while back!), I go through a process of studying the detail and deciding what I will leave out, what to include and which details describe my message best for that piece of art. Typically my research might include a small sketch or two on site as well as a bigger more formed sketch I call a plein air painting. When I’m in my studio, if I’m painting from my imagination, I create lots of doodles and lots of composition thumbnails. I’m reluctant to paint scenes from a photo preferring to paint en plein air, not always possible and although I’m wary, I’m very happy with a lot of them. For me, there is a driving force to create and always has been. Among other creative endeavours, I’ve always drawn and painted. It seems stronger now than ever and I think this may be, in part, because I work as a professional artist creating and painting most days - total immersion is good! My brain is more switched on to looking for subject matter and planning my next work – everywhere I see a painting waiting to be painted. The more I look for subjects the sooner they appear - the more I paint the more ideas I get. Happy painting!! ciao amici!!
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I know many creatives and many of them never finish a work. The same work is done and re-done and done again because it’s never right. There’s always something out of place, a comma, an invisible brush mark, a chord that seems not right – not perfect = imperfect! We do it again and hope it will be better next time.
And so now, this work gets put aside in the hope (read dread) the next one will be better. What people don’t realise is, there’s no such thing as mistakes. What happens is, we get a different result from what we expect, we don’t know what to do with it. This is often the result with watercolour, we have a vision and an eye on our goal – but something happens or we return from a cup of tea to find our painting looks different from just 10 minutes ago. We’ve become so results driven we’re forgotten to enjoy the process, play to our medium’s strengths and just have fun playing with the paint. Don’t get me wrong, I’m not saying don’t attempt specific subjects, what I’m saying is have fun along the way. Explore your paint and ask yourself “What would happen if …?” or tell yourself “I’m just going to have a play with this and see what happens!” - my favourite way to start new work! It banishes fears and performance anxiety and sets up an easier happy attitude!! happy painting dear friends!! Amanda
I'm still in my self-imposed "lockdown" with my continuing knee problem, It's a lot better but not better enough .. thwarted by my feeble attempts to "keep calm and carry on".
Something that’s really bugging me is my studio clear-out/tidy up/re-shuffle/reorganise started before Christmas. It was a good idea at the time but now I have 2 piles on the floor that are attempting to morph into 3 and I can’t get down there to do much about it. It’s making me crazy! PLUS while I’m nursing my poor wee ginocchio Dennis has now gone back to work, Amy’s back to work and there’s no-one here to entertain me!! YIKES!! So now I find myself in this temporary situation of cabin fever - I'm desperate to get out and paint/sketch, so I've made myself a new plan for my coming escapades. in a feeble attempt to get back to normal, i went for a walk with Amy and the dog. I trailed far behind them, it was so nice to be out and hearing the birds and children playing, families and their picnics but, I have to say, I paid for it the next day ... mamma mia!! It reminded me how dependent I am on my walking, it's my chief thinking time, my meditation and quiet time that allows my thoughts and ideas to run and play out. Another purpose for me is exploration, this is when I see things that inspire me, a fleeting light, shapes interlocking and overlapping, colours or some other interesting and diverting sights. To get out of the house, I've been for a few outings in the car (bicycle is a no-go atm) to scope out some sketching locations but of course, even here in Auckland it's almost impossible to park close enough. So I've decided to go to cafes again, they have to be in the right place, scenic and comfy. There are so many ways to enjoy sketching out, for me, its a totally absorbing experience. Although I love my little value thumbnail sketches, I learn a lot about a scene using this process, I feel the need to change things up a little, expand my sketching and bring more of it into my life. So!! I bought a new sketchbook and made a sketch kit that's always with me. My new sketchbook has a soft cover, so a little lighter than a hard cover but I found an old light but rigid clipboard. My backpack is pretty old, so old it doesn't have a smart phone size pocket - urk! It has a great "book" pocket but without an easy small pocket, pretty much everything falls to the bottom. In my bag I also have a wee first-aid kit, a small professional pan-set, tramper's collapsible water cup, pencil case and a few other weird sketch tools to fun things up a bit! In my pencil case, I have my standard soft pencils, a sharpener and eraser, tombow value brushpens, general’s sketching pencil, small view finder, calligraphy sketch pen, pastel and watercolour pencil, travel brush, small flat brush, water spritzer. To protect pencil tips and brush points, I always place them in the case in the same direction and then “up” in my bag. In Sketch class last week, Mary said “I can’t see enough detail, I’m too far away”. I agree, I need to see exactly what goes on, this helps me to build my story. Go for a walk to understand the lay of the land, what makes this place tick? How do those elements look close up? Always have your camera charged and set to hi-resolution and use a view finder to isolate your scene and cut out the overwhelming and extraneous, then you can just focus on what you want today. have fun!! ciao Amanda |
AuthorPaintBox Tips, secrets, random thoughts, Poetry in watercolour is made in the freedom of the here and now. Amanda Brett Inspiration exists, but it has to find you working - Pablo Picasso There are no mistakes in watercolour, just some extra surprises!! Categories
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What my readers and viewers have to say
Your emails are so informative! I must confess I've watched a couple of your demos from beginning to end, and it makes me want to watercolor!!! I've only ever painted with oil or acrylics and haven't know how to begin with WC. Your content is excellent!
Susan VN Hi Amanda
Thank you for your tips. They inspired me to practise and I realised I haven’t been loading the brush properly. I learnt about adding more paint, and not water, to washes. In today’s tips I like the idea of painting with purpose. Your tips are very helpful. I very much appreciate receiving them. Elizabeth Hi Amanda I enjoyed your post and generous tips. Looked up Dan Burt I begin to see that you can colour any subject to give it pizazz so long as the tone and form is correct Certainly adding value now to my attempts Thanks heaps Annie
Yes very wise words. Agree with not fussing and agree with comments about good quality paint. Well written and inspirational as always. Cheers Janet xxxx Archives
July 2023
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