With a new term of watercolour classes starting soon, here are a few simple tips to help you start your watercolour journey!!
ciao bei pittori!!
In a way I admire artists who pump out their work prolifically. On the other hand, I don’t admire this “skill”. The problem is lack of development. You’d think there would be a high rate of creative development but this seems rarely the case. The artist has to be so focussed on output that development is the last concern.
The artist must “art” everyday but they must also work on their art, just like working on your business as well as working in it – subject, style, technique, design, composition etc.
A dear friend had the most amazing success in her painting career until one morning she woke and realised she was bored. She had a huge following all making demands which left my friend with no time for fooling around/experimenting/exploring. She had become a machine.
When this happens we are so far behind the 8 ball we have a huge drop-off of income until we find the new thing and push it beyond the experimentation stage – this can take years.
Daily “arting” should also include an element of experimentation – “what if?” what if I tried a new subject?, what if I changed up my process?, what if I improved my skill?, what if I tried a new palette?, what if I tried a different medium/materials?, what if … what if … what if …
Reflection and evaluation must also be included in our daily process. Without an element of curiosity in our practice, our work might stagnate and the way forward might not show itself immediately.
Watercolour is often viewed as if it occupies its own little vacuum.
I remember a well-known artist friend collecting his paintings after a show:
“I’m here to collect my paintings”
“What do you mean?”
“I’m here to collect my paintings”
“Oh you mean your watercolours”
As if watercolours are not paintings and are separate, not even a category – not art, nor paintings – urk!
However, oddly enough, painted with a brush (in most cases!).
It’s a common weird nonsensical bit of claptrap. Mamma mia!!
Sometimes it feels like watercolour painters are set up for this. A popular art show I used to enter had a “professional” category for Oils/Acrylics. Does this make me not a professional artist? For a while I entered the professional category just to state my case and annoy them, really it’s just ignorance (mine or theirs??). I was particularly miffed to discover that my well-known watercolour artist Uncle started that show in 1954 (or thereabouts)!! Instead of being hailed the Queen (lol), my bags packed and cast into the snow!!
My point is, no matter your medium (pastel, music, poetry, blogging, sculpture, watercolour or oils) art is art and all need the same kind of thought and emotive language – darkness brings the light, grey accentuates chromatic colour, dominance emphasises an accent, indications are mysterious.
All art forms follow a set of guidelines (rules to be broken). Visual art is no different, we follow design principles created to help novice (and not-so novice) artists use pictorial or visual language to tell a story via visual impact.
In particular, today, I’m talking about colour charging. My 2 ideas for you today are:
The watercolour painter has to be patient (I’ll just leave now!) and focussed and wait for the water-to-paint-to-brush-to-paper ratio to be just right. Mostly novice watercolour painters are taught to “let it dry” which is the biggest mistake ever. I say this because this damp time is the fun-zone of watercolour and you are missing out my friend! Boo!!
Partly the issue lies in our process and planning and partly our lack of brush miles and then sometimes our courage flies out the window. But this FUN-ZONE is where the magic happens, what you and I have to do is be present and pay attention to what we’re doing and what’s happening on the paper. This level of focus is where you’ll learn the poetry of watercolour – choose your focal point and play with it.
How fun would it be to paint a lemon with a dab of orange, a bigger dab of a cooler yellow and a master stoke of cool pink for a shadow?
ciao belli pitturi!!
PaintBox Tips, secrets, random thoughts,
Poetry in watercolour is made in the freedom of the here and now. Amanda Brett
Inspiration exists, but it has to find you working - Pablo Picasso
There are no mistakes in watercolour, just some extra surprises!!
What my readers and viewers have to say
Your emails are so informative! I must confess I've watched a couple of your demos from beginning to end, and it makes me want to watercolor!!! I've only ever painted with oil or acrylics and haven't know how to begin with WC. Your content is excellent!
Thank you for your tips. They inspired me to practise and I realised I haven’t been loading the brush properly. I learnt about adding more paint, and not water, to washes. In today’s tips I like the idea of painting with purpose. Your tips are very helpful. I very much appreciate receiving them. Elizabeth
Hi Amanda I enjoyed your post and generous tips. Looked up Dan Burt I begin to see that you can colour any subject to give it pizazz so long as the tone and form is correct Certainly adding value now to my attempts Thanks heaps Annie
Yes very wise words. Agree with not fussing and agree with comments about good quality paint. Well written and inspirational as always. Cheers Janet xxxx
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