My workshops on how to generate design ideas came about because a student said they were not ever able to get a “good” photograph of the scene.
I worked very hard on the design of “pauatahanui” and the ensuing series because it’s a popular scene to paint.
So how could I make mine different?
I got all excited and had to see these boat sheds for myself (aka ROAD TRIP!!).
It took 6 months to create a design concept I was happy with.
So the subject of this workshop became how to design a painting and not be reliant on good photos because good photos are rare and don't miraculously turn up when required! Somewhat akin to how to paint from a bad photo.
Another thought, it doesn't take courage to paint what you see - it does take courage to paint what you think and feel.
I often turn away from my reference, it was pointed out to me some years ago that I rarely “look” at my subject. Through my study and observation I begin a path of understanding. I take reference photos, I create thumbnail studies which lead me to my design idea - I want my work to be unique, I want the essence of the subject, I want it to be from me.
So, how to be less reliant on photos?
it's all about getting an idea.
one thing I must say to you is that, generating ideas is not easy, like everything it takes consistent and frequent effort.
My typical practice revolves around drawing/designing (en plein air or in my studio) a thumbnail and doodling some of the shapes I think I will want. What do I like or not like? Leave out, add in, bring something relevant in from another scene. This is where I get to know my subject and the relationships of the other elements to each other. I have sketched/painted many boat yard scenes so I feel confident about bringing ideas in from previous study.
And that's what this is about - study and observation. Even though I have no intention of creating a photographic realism painting, I need to understand shapes, light and dark, perspective, values etc to create a work based on simplified shapes.
what could i do that was different/better? Firstly, I have the power of watercolour's fluidity; secondly, a unique composition. So the idea became the jumble and chaos of boatsheds and the ensuing detritus.
PaintBox Tips, secrets, random thoughts,
There is no ONE WAY to paint a watercolour - Amanda Brett
Inspiration exists, but it has to find you working - Pablo Picasso
There are no mistakes in watercolour, just some extra surprises!!